I’ll be playing at oblo in Lausanne on saturday. The main act will be Dave Phillips presenting his field recordings work. I’m glad to do a support act for him but I know he’s gonna tell me if I’m bad at it!
So I’m now preparing my setup… I bought a microphone a few weeks ago so I’m planning to do a lot of live sampling. I’ll bring some noisy objects and try to find some more there, that’d make interesting sound. I’m also planning to interact with the electromagnetic field produced by guitar’s microphones. The issue is that it’s so unstable that it behaves in a different way everytime I relaunch the setup. The last part is still open. I thought I’d make something with a contact mic and feedbacks. But again it’s quite unstable and there’s no way to reproduce twice the same sounds. I need rehearsals… few days left.

Oblo is a great place for listening to experimental music (quiet people, good sound system) and watching visuals (did I forget to say it’s a cinema?). So I also planned to add visuals to my music. I slightly improved the Processing patch I used one year ago for another concert. It’s a generative process that makes abstract drawings reacting to the sound.

If you like experimental music and don’t care about Eurofoot (Greece vs Russia on this day), you might want to come to oblo on saturday. I don’t know anyone yet who listens to experimental music and wouldn’t miss a football match.